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The obvious first step is to think about the kind of match you want.Focus on the less superficial stuff, not how tall or suave or sexy you want your prospect to be.
I have said to producers and directors on many occasions: “You have all seen Disney’s Funny Bunnies; you remember the huge rainbow circling across the screen to the ground and you remember the Funny Bunnies drawing the color of the rainbow into their paint pails and splashing the Easter eggs. ” The answer is, of course, that it could not be done at any cost in black and white, and I think that points to the general answer.
The story should be chosen and the scenario written with color in mind from the start, so that by its use effects are obtained, moods created, beauty and personalities emphasized, and the drama enhanced.
Color should flow from sequence to sequence, supporting and giving impulse to the drama, becoming an integral part of it, and not something superadded.
“But Technicolor had persisted in its research and development work so that by May, 1932, it had completed the building of its first three-component camera and had one unit of its plant equipped to handle a moderate amount of three-color printing.
This first attempt was the delightful Flowers and Trees, following which Disney contracted for a series.
A frequent conversation has been as to which helped the other most.
Much like the conversation between two Irishmen after a considerable session at the bar: “Yer know, Clancy, when I was born I weighed only five pounds.” “Yer did, and did yer live? Yer ought to see me now.” What Technicolor needed was someone to prove for regular productions, whether short subjects or features, what Disney had proved for cartoons.
But the producers asked: “How much more will it cost to produce a feature in three-component Technicolor than in black and white?
” This question is always with us and it seems to me the answer must be divided into two parts; the added cost of prints, negative raw stock, rushes, and lighting can be numerically calculated and requires little discussion.
In 1932 we marked our base print price down from 7 cents to 5 l/2 cents a foot. Whitney and his associates, and as a result of many conferences, a contract was signed between Technicolor and Pioneer Pictures, Inc., on May 18, 1933, which provided for the production of eight pictures, superfeature in character and especially featuring color.
There were some conditional clauses, among others a provision for extensive preliminary tests.
If you try to be too creative with both, they tend to conflict and create a confused message. In the world of marketing which, in the end, is what online dating is all about , the goal is to reach the right customer, not every customer.